Elizabeth is haunted by her past and is trapped in an abusive relationship with her tyrannical husband, Caleb. She finds solace in her writing and an escape into a world where her imagination can influence good or evil.

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

An adopted woman on the cusp of childbirth reinserts herself back into the life of her biological mother, unsettling the entire family unit.

It follows a woman in an abusive marriage who sends her son to Istanbul for care. The son goes missing, and after three years, she meets him again, but he now goes by a different name.

Sharon-Rose Khumalo, a South African beauty queen, faces an identity crisis after discovering she's intersex. Her path crosses with Dimakatso Sebidi, a masculine-presenting intersex activist, as they both navigate a journey marked by society’s stigma and inner struggles. Intertwining raw reality with poetic beauty, Who I am Not captures the heart-wrenching fight for acceptance in a binary world.

Saffet(32), a veteran supermarket employee, lives in constant fear of losing his job as rumors circulate about an audit. The audit, aided by Mystery Shoppers, targets declining sales of the Supermarket. Saffet's paranoia grows, perceiving every customer as a potential threat. Saffet spirals deeper into a whirlpool of anxiety and uncertainty.

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This film is a fascinating look at some people afflicted with congenital deformities of an extreme nature. Their ability to live with their aberrations while remaining socially involved and upbeat is truly inspirational. While their predecessors were often seen in so called "freak shows" that were part of various exhibitions from Coney Island to traveling circuses, these performers were actually the more fortunate ones in an era of little tolerance for those who were different from the accepted norm. Many became famous and extremely wealthy, such as Tom Thumb (Charles Sherwood Stratton), who worked for many years with P.T. Barnum.

A journey to find the origins of knowledge.

In glorious stop motion pixilation an artist (David Russo) applies for a grant to make the film that we are watching. It unfolds as he describes it. The grant committee is not impressed.